MERCY
Gina Nahai
“…And so we lived, my multi-cultural family and their
many-layered sorrows, seven Jews and one Catholic in a country that
was ninety-seven percent Shiite Muslim, at a time when the West cast
a shadow nearly as strong as our own history over every Iranian’s
consciousness. My mother, offspring of a Russian Lubovicher rabbi
and of his Iraqi wife, had internalized the discipline and the sense
of duty they had taught their children. But she was also a freedom-loving
soul who dreamt of doing significant things she knew were beyond
her reach. She wanted to go to university, but was not allowed to
because she was married; wanted to have a career, but had children
instead. She was outspoken in a place where women were expected to
be silent, restless when she had no choice but to stay put.
By age twenty, my mother had arrived at the conclusion that being
a woman was the worst thing that could happen to a person. She
said this to my sisters and I, then told us we had a duty to
find a way
out: we had been born in Iran’s golden era, when Jews were
liberated from the tyranny of the mullahs and when women were beginning
to have rights. We had access to a real education, and, more importantly,
permission to believe in possibility. Unlike our mothers before us,
we were allowed—within reason—to question authority,
to challenge the conventional wisdom that had long ago determined
a woman’s best option to be a well-placed marriage. My sisters
and I were allowed to have expectations: that our parents would value
their daughters—not as much as they did their sons, but value
them nevertheless; that our husbands would treat us, if not with
respect, at least with kindness; that our elders—male and female—would
not deny us happiness merely because it had been denied them. . .”
Gina Nahai is a best selling
novelist and a professor of creative writing at the University
of Southern California. Her
books on Iranian Jewish experiences include Cry of the Peacock (Crown,
1991) Moonlight on the Avenue of Faith (Harcourt, 1999)
and Sunday's Silence (Harcourt, 2001). She's currently
at work on Dreams of a Caspian Rain. She is a former
consultant for the Rand Corporation, and has researched the politics
of pre and post-revolutionary Iran for the United States Department
of Defense. Gina’s novels have been translated into 26 languages,
and are taught at a number of universities in the U.S and abroad.
She holds a BA and a Masters degree in International Relations from
UCLA, and an MFA in Creative Writing from USC. She has written for
the Los Angeles Times, Chicago Tribune, San Francisco Chronicle,
Los Angeles Magazine, and the Jewish Journal of Los Angeles.